The blazing, low-tuned heaviness of "Consfearacy" turns the entire principle of patriotism's blind ideals into an evil joke. The indictment of "holy war" is possible only through the telling of the narrative from a Jihadist's point of view. Check the little skittering vamp that leads into "Jihad," where Lombardo just shimmers his hi-hat before the band begins to enter and twist and turn looking for a place to create a new rhythmic thrash that's the most insane deconstruction of four/four time on tape. Yeah, Slayer actually crafts and writes songs. Lombardo's drums open it slowly, then the Jeff Hanneman and Kerry King guitar gods create an intensely harrowing and angular riff that changes from verse to verse, through the refrain and bridge, and comes back again.
On the opener, "Flesh Storm," Tom Araya roars the refrain above the guitars and frantic drumming: "It's all just psychotic devotion/Manipulated with no discretion/Relentless/Warfare knows no compassion/Thrives with no evolution/Unstable minds exacerbate/Unrest in peace.only the fallen have won/Because the fallen can't run/My vision's not obscure/For war there is no cure/So here the only law/Is men killing men/For someone else's cause."Įlsewhere, such as "Eyes of the Insane," the story comes in the first person from the point of view of a soldier who is suffering the effects of PTSD, yet he may or may not still be on the battlefield. One can talk about the power big-money has at stake in the Middle Eastern havoc, but the root, according to some of these songs, is the culture war between two competing myths, Christianity and Islam, that this time out could result in the apocalypse. The big themes on Christ Illusion center on the perverse myth of religion and its responsibility for, and cause of, war. Slayer rips through these ten songs, complete with lightning changes, off-kilter rhythms, and riff invention, together with plodding crescendos, sick-as-hell guitar breaks, and dark, unrelentingly twisted-as-f*ck lyrics that reflect a singular intensity. And while they no longer sound terrifying, that was never their point anyway. Christ Illusion is a raging, forward-thinking heavy metal melding with hardcore thrash this is what made them such a breath of fresh air in the first place. For a band that has been together as long as Slayer has, they have never made concessions and have stubbornly refused to sound like anyone but themselves. Drummer Dave Lombardo's retaking of the drum chair places the band back on the edge, pushing themselves and the genre to look back at where they've been and where they go from here. The reunion of the original Slayer lineup appears for the first time in the studio since 1990's Seasons in the Abyss (a record that topped off one of the great four-album stands in metal history: Hell Awaits, Reign in Blood, and South of Heaven preceded it).